In a world where art and freedom exist in a constant state of tension, my photography series of Iranian ballet dance classes tells a story of beauty, rebellion, and inspiration. Iranian ballet has faced limitations and political and social challenges at various times, especially in the years following the Islamic Revolution of 1979. Due to the existing restrictions and prohibitions, these classes are held underground and cannot be officially advertised or promoted. However, they continue to take place informally, specifically for women, in private spaces, aimed at passing down to future generations. In these spaces, women create a hybrid style known as Iranian ballet by incorporating movements specific to traditional Iranian dance into classical ballet, thus transcending the boundaries of tradition and modernity and building a bridge between East and West.
As a male photographer, I was able to participate in this space and be the storyteller of this narrative. Due to the limitations of the photographic medium in conveying the atmosphere of the class and my interest in the realms of Iranian miniature painting, I decided to create a collage-style illustration series to showcase the hybrid nature of Iranian ballet using characters from this form of painting.
In many Iranian miniature artworks, women are depicted as symbols of beauty and delicacy. They are often portrayed with beautiful faces, colorful garments, and graceful, fluid movements. Women also play pivotal roles in many epic tales and legends of Iran. These characters can embody a variety of roles, from muses and goddesses to strong and independent figures.
